Towards the end of the 18th century, the Marquis of Pombal sent naturalists on philosophical expeditions to the New World, where they visited Angola, Mozambique, Cape Verde and Brazil. These studies were founded on the meticulous drawings of fauna, flora, people, and landscapes made during these trips, 1,200 of which make up a collection of illustrations currently housed at the Museu de História Natural (Natural History Museum)…

Constança Entrudo may be one of Portugal’s most promising fashion designers, but belongs very much to a world she observes with irony, responsibility and enviable freedom. Big on patterns and individuality, she creates collections as fresh and light as a spring breeze.

A century or so ago, a rather seductive substance appeared on the scene. Versatile, cheap and durable, plastic’s potential immortality has made it one of the biggest problems on a highway to climate hell, in the words of António Guterres, Secretary-General of the United Nations. We may have a love-hate relationship with the stuff, but can we live without it?

Looking back at us — In the summer of 1736, date unknown, the beneficiary Manuel Antunes, native of Barbacena, left home on his mule. On his way from Portas da Esquina to Horta dos Passarinhos, he came across a steep and stony slope, where his mule took fright for reasons unsure. Time and again, the cleric fell to the ground. Badly hurt and in great distress, he pleaded with the heavens, which came to his aid. In keeping with his promise, he had the crude cross in the fields of Torre das Arcas repaired.

Winner of the prestigious Pritzker Prize in 2016, the Chilean architect Alejandro Aravena is also the founder and executive director of the ELEMENTAL studio, based in Santiago, Chile. During his prolific career, much of his work has focussed on public interest and social impact, devising projects that offer creative and unconventional architectural solutions to pressing housing, public space, and infrastructure issues in socially and economically challenging environments. In addition to serving as curator for the 15th Venice Architecture Biennale in 2016, Aravena now chairs the jury for the Pritzker.

José Pedro Croft believes that artists have no place in perfection, but rather in questioning the world, which is where he situates his work. Currently celebrating a career spanning 40 years, he says that his job is to bring drama to art, while condemning those who turn serious causes into products or propaganda. Art, he says, doesn’t serve to legitimise anything, nor explain the world.

José Pedro Croft is one of the most prominent Portuguese contemporary artists today. Born in Porto in 1957, he studied painting at ESBAL (Lisbon University Faculty of Fine Arts) where he trained in sculpture under João Cutileiro.