Articles

PORTICO#3, Arts, Culture silvadesigners PORTICO#3, Arts, Culture silvadesigners

ArtWorks - The Right Scale

At ArtWorks, industry meets sculpture, while skilled artisans make artists’ remarkable ideas a reality. Since it started five years ago, ArtWorks has built up a surprising portfolio of artists, such as José Pedro Croft, Cabrita Reis, Fernanda Fragateiro, Grada Kilomba, Julião Sarmento and João Louro, not forgetting a new wave of up-and-coming figures, like Andreia Santana, Sara Bichão, Luisa Jacinto and Diogo da Cruz.

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PORTICO#3, Arts, Culture silvadesigners PORTICO#3, Arts, Culture silvadesigners

Zenith / Pessoa

Pessoa, an Experimental Life is the result of 12 years spent trying to prove that Fernando Pessoa, Portugal’s most famous poet, had a life beyond his extensive oeuvre. Considered by many to be the finest and most comprehensive biography on the subject, Richard Zenith, a leading authority on all things Pessoan, reveals how the genius came to be, while highlighting the autobiographical aspects of his heteronymic experiment.

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PORTICO#3, History, Portuguese culture silvadesigners PORTICO#3, History, Portuguese culture silvadesigners

The Faithful Friend

The true symbol of Portuguese identity is not the poet Camões, nor football, nor fado but none other than the humble cod (bacalhau). And it’s not unusual for those Portuguese abroad to miss their own family less than their favourite cod dishes, with 1,001 different recipes to choose from. The fish is also a big favourite for Christmas dinner, for rich and poor alike.

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PORTICO#2, Arts, Sustainability silvadesigners PORTICO#2, Arts, Sustainability silvadesigners

Joana Vasconcelos

When I explain what I do, who I am, I often say how old the artistic milieu is. It begins in the Paleolithic period, at a time when society was structured very differently to today. There was a tribe that constantly moved from place to place, leaving its mark in the caves and places where it sheltered. Even in such a simple society, there were artists representing the life of their people, something they’ve been doing until now.

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PORTICO#2, Architecture, Sustainability silvadesigners PORTICO#2, Architecture, Sustainability silvadesigners

Kengo Kuma

Kengo Kuma is certainly one of the most recognised and expressive Japanese architects today. His (re)interpretations of traditional Japanese architecture include dynamic surfaces, innovative structures, the use of sustainable materials, an original way of thinking about the relationship between light and space…

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PORTICO#2, Culture, Arts silvadesigners PORTICO#2, Culture, Arts silvadesigners

Viúva Lamego

Although the title sounds like a contradiction in terms, for Viúva Lamego it makes perfect sense. At this century-old ceramics factory, there’s always time to talk to artists and achieve what’s best for their projects. Part factory, part studio, the secret of keeping young is a meticulous path of innovation.

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PORTICO#2, Culture, Arts, History silvadesigners PORTICO#2, Culture, Arts, History silvadesigners

Mappa Mundi

One of the great advocates of the Portuguese Overseas Expansion, the second Viscount of Santarém was a pioneer in the study of ancient maps. This atlas is one of the most remarkable compilations of these instruments of navigation and wonder.

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PORTICO#1, Arts, Culture silvadesigners PORTICO#1, Arts, Culture silvadesigners

Africa — The Revelation

THIS IS NOT A WHITE CUBE still has the lingering scent of wet paint. Located on Rua da Emenda, in Lisbon’s Chiado neighbourhood, this contemporary art gallery first opened its doors (and windows) in May this year, where visitors could see “In Memory We Trust”, a solo exhibition by the São Tomé and Príncipe artist, René Tavares.

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PORTICO#1, Architecture silvadesigners PORTICO#1, Architecture silvadesigners

Daniel Libeskind — the architect of poetry

“It’s the only way! If you think about it, a photograph is finished when it’s taken, a song is finished when it’s written, a sculpture is finished, a film is finished, but architecture waits. Because it’s a creative environment, it’s new space for occupants to come and fill it with the spirit it represents. Of course, architecture is always diplomatic and symbolic, and it’s mystical because it seems very abstract, straight lines, geometries and all those things.”

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