PORTICO #7, OUT NOW

Tales & Tiles - La Fontaine in Lisbon

It is a fable, amongst animals. Firstly, the ravens of Lisbon. Legend or fable has it that some ravens plucked the eyes of the Roman executioners who, in the year 304, tortured to death the pious deacon Vincent, of the Saragossa bishopric. Leaving the corpse to the mercy of beasts and birds of prey, an angel protected the body. As a result, the animals refrained from consuming Vincent’s remains, which were cast into the sea.

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PORTICO #6, JUNE 2024

INTRODUCTION

VAN ZELLERS & CO - Time honoured

JOÃO ABEL MANTA - A free man

TALES & TILES - La Fontaine in Lisbon

SILVER WORKS - The art of working with silver

VASCO MENDONÇA - The discomfort of music

JOÃO LOURO - The appropriation of language

CARROCEL - Illustration for children by children

BENJAMIN WEIL - On the new CAM

The enchanted world - TERESA MURTA

SUBSISTENCE OF THE FLÂNEUR - New visions of the city

ISAY WEINFELD - Brazilian architecture

BULTHAUP - Marc Eckert’s soul kitchen

NINA GRUNTKOWSKI - In the land of the camelias

FOR ART’S SAKE - Art Loft Lisbon

6th Issue Content

Terras da Comporta

Art that Surprises

In May 2023, Vanguard Properties installed its first artwork at the site of the Dunas Terras da Comporta project. The piece, which is titled Untitled, was sculpted by José Pedro Croft, one of Portugal's most important contemporary artists. The imposing work was initially created for the 2021 Frieze Sculpture, one of Europe's most important sculpture events. Later acquired by Vanguard Properties, it was set up in the pine forest, next to one of the access roads to the development, where it surprises passers-by.

This venture was the first step towards fulfilling the property developer’s aim to make its Comporta projects into important centres of artistic expression. The objective is to create veritable open-air galleries that will make a positive contribution to both new projects and the region itself.

PORTICO #5, DECEMBER 2023

INTRODUCTION

LET THERE BE LIGHT - David Groppi

IN PRAISE OF PORTUGUESE CERAMICS - Objectismo

OOCA - Real Portugal

THE LANGUAGE OF CLAY - In the town of Estremoz

AN ALENTEJO ELEPHANT

THE ART OF THE MAD - Treger Saint Silvestre Collection

RUI CHAFES - Coll. Fondation Giacometti

DANIEL BLAUFUKS - Photography’s limits

HOW SMART ARE WE? - Technological threat

ITALIAN SAPER FARE - Minottu

FONDATION D’ENTREPRISE HERMÈS - Leaving a mark

THE WOOD TOUCH - Wood work

5th Issue Content

Vanguard sponsors one of the best exhibitions of 2023

The "Gris, Vide, Cris" exhibition established an interesting dialogue between the work of Portuguese artist Rui Chafes and that of the Swiss artist Alberto Giacometti, one of the 20th century’s most renowned sculptors.

Curated by Helena de Freitas and exhibited at the Calouste Gulbenkian Foundation's main building between May and November, critics from the respected Semanário Expresso and Público newspapers considered the exhibition to be the best and second best of 2023 in Portugal, respectively.

José Pedro Croft

“José Pedro Croft believes that artists have no place in perfection, but rather in questioning the world, which is where he situates his work. Currently celebrating a career spanning 40 years, he says that his job is do bring drama to art, while condemning those who turn serious causes into products or propaganda. Art, he says, doesn’t serve to legitimize anything, nor explain the world.”

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PORTICO #4, JUNE 2023

INTRODUCTION

THE PLASTIC AGE - The love-hate material

WHO’S THAT GIRL? - Constança Entrudo

HUMAN SCALE DESIGN - Emmanuel Babled

THE PALACE OF TRADES - The Ricardo Espírito Santo Silva Foundation

CROFT - Art has to be freedom

ELEMENTAL - The Alejandro Aravena architecture

TOMORROW’S FOOD - The center genomic gastronomy recipe

DOCES FINOS - Marzipan’s sweet tradition

THE ART OF CURIOSITY - Illustrations of The New World

EX-VOTOS - Looking back at us

PAULINE GUERRIER - Matter of culture

BARRA DAS ALMAS - Valter Vinagre photographic work

4th Issue Content

The Faithful Friend

The true symbol of Portuguese identity is not the poet Camões, nor football, nor fado but none other than the humble cod (bacalhau). And it’s not unusual for those Portuguese abroad to miss their own family less than their favourite cod dishes, with 1,001 different recipes to choose from. The fish is also a big favourite for Christmas dinner, for rich and poor alike.

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PORTICO #3, DECEMBER 2022

INTRODUCTION

ZENITH AND PESSOA - The man behind the poet

THE FAITHFUL FRIEND - Bacalhau Portuguese true symbol 

OLIVEIRA - The holy tree

JASON MARTIN - English man in Comporta

SONIA DELAUNAY - Under the light of Portugal

JORGE WELSH - Europe and Asia cultural exchanges

SOFT ART - Portalegre tapestries

FRANCIS KERÈ - Natural and humble architecture 

MADISON COX - The constant gardener

BROKEN CITIES - Small solutions for big problems

LOEWE LOVES CRAFTS - The beauty of know-how

THE ALCHEMY OF GLASS - High temperature creations

ARTWORKS - The right scale

3rd Issue Content

Joana Vasconcelos

“When I explain what I do, who I am, I often say how old the artistic milieu is. It begins in the Paleolithic period, at a time when society was structured very differently to today. There was a tribe that constantly moved from place to place, leaving its mark in the caves and places where it sheltered. Even in such a simple society, there were artists representing the life of their people, something they’ve been doing until now. Most people are unaware of this longevity, or what it means to be an artist. They see us as the superfluous, least important link. But artists are essential for communities to exist, for them to be represented and have a history. Artists are key to creating group identity and what is transmitted for the future.”

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PORTICO #2, JUNE 2022

INTRODUCTION

GHARB AL-ANDALUS - The delectable aroma

PEDRO MOURA CARVALHO - Making history

UNITING COLOURS - Alexandra de Cadaval life of diversity

VIÚVA LAMEGO - The studio - factory

JOANA VASCONCELOS - The artist and the causes

PEDRO VAZ - On nature as a moral compass

GEORGES DAMBIER - Portugal 50’s through French lens

MAPPA MUNDI - Visconde de Santarém maps 

KENGO KUMA - From Japan to the world

CRAFT RENDEZ-VOUS - Noé Duchaufour-Lawrence

MAKING WAVES - Technology and crafts on board

A RECOLECTORA - Weed wonder

2nd Issue Content

Daniel Libeskind

“It’s the only way! If you think about it, a photograph is finished when it’s taken, a song is finished when it’s written, a sculpture is finished, a film is finished, but architecture waits. Because it’s a creative environment, it’s new space for occupants to come and fill it with the spirit it represents. Of course, architecture is always diplomatic and symbolic, and it’s mystical because it seems very abstract, straight lines, geometries and all those things.”

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1st Issue Content

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Pedro Cabrita Reis